Free Download Eine kurze Geschichte der Menschheit (German Edition)By Yuval Noah Harari

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Eine kurze Geschichte der Menschheit (German Edition)By Yuval Noah Harari

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Krone der Schöpfung?


Vor 100 000 Jahren war der Homo sapiens noch ein unbedeutendes Tier, das unauffällig in einem abgelegenen Winkel des afrikanischen Kontinents lebte. Unsere Vorfahren teilten sich den Planeten mit mindestens fünf weiteren menschlichen Spezies, und die Rolle, die sie im Ökosystem spielten, war nicht größer als die von Gorillas, Libellen oder Quallen. Vor 70 000 Jahren dann vollzog sich ein mysteriöser und rascher Wandel mit dem Homo sapiens, und es war vor allem die Beschaffenheit seines Gehirns, die ihn zum Herren des Planeten und zum Schrecken des Ökosystems werden ließ. Bis heute hat sich diese Vorherrschaft stetig zugespitzt: Der Mensch hat die Fähigkeit zu schöpferischem und zu zerstörerischem Handeln wie kein anderes Lebewesen.


Anschaulich, unterhaltsam und stellenweise hochkomisch zeichnet Yuval Harari die Geschichte des Menschen nach und zeigt alle großen, aber auch alle ambivalenten Momente unserer Menschwerdung.

• Sales Rank: #329717 in eBooks
• Published on: 2013-09-02
• Released on: 2013-09-02
• Format: Kindle eBook

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Ebook Download The Anime Encyclopedia, 3rd Revised Edition: A Century of Japanese Animation

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Review

10 out of 10 "An even mightier tome than ever before, retaining its status as an absolutely required reference work on a subject too often discussed solely in guesswork and rumor."—MYM"Invaluable to English-speaking scholars, fans and writers, serving as reliably exhaustive and often highly entertaining guides to a world that can seem as massive as it does impenetrable."—The Japan Times"Full of interesting behind-the-scenes information on anime ranging from the famous to the forgotten; and the essays give an insightful look at anime history and culture."—Kotaku"Your new go-to source for Anime information"—OtakuUSA"Undeniably the definitive English language text about anime."—Crunchyroll"The third edition of the Anime Encyclopedia is the best yet, and remains the definitive book on Japanese animation in English. Highly Recommended."—Animation For Adults"Anyone interested in animation should have a copy of “The Anime Encyclopedia” to refer to regularly."—Indiewire"A useful resource for parents and librarians."—Booklist"Packed with information on every major topic and series under the sun, and filled to the brim with personality that encourages you to explore its pages and learn while you're being entertained as a result."—UK Anime Network"Definitely something any pop culture and Japanese anime fan should have at their fingertips."—Forces of Geek10 out of 10 "An even mightier tome than ever before, retaining its status as an absolutely required reference work on a subject too often discussed solely in guesswork and rumor."―MYM"Invaluable to English-speaking scholars, fans and writers, serving as reliably exhaustive and often highly entertaining guides to a world that can seem as massive as it does impenetrable."―The Japan Times"Full of interesting behind-the-scenes information on anime ranging from the famous to the forgotten; and the essays give an insightful look at anime history and culture."―Kotaku"Your new go-to source for Anime information"―OtakuUSA"Undeniably the definitive English language text about anime."―Crunchyroll"The third edition of the Anime Encyclopedia is the best yet, and remains the definitive book on Japanese animation in English. Highly Recommended."―Animation For Adults"Anyone interested in animation should have a copy of “The Anime Encyclopedia” to refer to regularly."―Indiewire"A useful resource for parents and librarians."―Booklist"Packed with information on every major topic and series under the sun, and filled to the brim with personality that encourages you to explore its pages and learn while you're being entertained as a result."―UK Anime Network"Definitely something any pop culture and Japanese anime fan should have at their fingertips."―Forces of Geek

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About the Author

Jonathan Clements has worked as a translator, voice actor or dubbing director on over 70 anime, including Grey: Digital Target, Sol Bianca and Musashi: Dream of the Last Samurai. He was formerly the editor of Manga Max magazine, a contributing editor of Newtype USA, and is now a contributing editor to The Encyclopedia of Science Fiction, with special responsibility for China and Japan. He is currently a Visiting Professor at Xi'an Jiaotong University, China, and his latest solo book is Anime: A History (British Film Institute, 2013).Helen McCarthy was the founding editor of Anime UK magazine, editor of Manga Mania magazine, and the author of Anime! A Beginner’s Guide, the first book in the English language on the medium. She has appeared in several anime as a voice actress and produced the UK release of Beast Warriors. Her books include Hayao Miyazaki: Master of Japanese Animation, 500 Essential Anime You Must Own, Manga Cross-Stitch and The Art of Osamu Tezuka: God of Manga, which won the Harvey Award. She has just completed A Brief History of Manga for Ilex Press.

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Product details

Hardcover: 1160 pages

Publisher: Stone Bridge Press; Third edition (March 3, 2015)

Language: English

ISBN-10: 1611720184

ISBN-13: 978-1611720181

Product Dimensions:

7.5 x 2.5 x 9.2 inches

Shipping Weight: 4.6 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#807,541 in Books (See Top 100 in Books)

I'm glad to have finally get's this new edition. I'm a huge of Japanese anime and a indie animator.

Nice

Great book, met all of my expectations as a fan. looking forward to a 4th one if he chooses to do that.

If you like anime you'll like this.

Since it's about anime I expected either pictures or good information. It's neither - it's just a dry list of titles with story lines. I guess you could call it an encyclopedia, but it's useless unless you have some very specific question - and then you'll probably find it on the Internet quicker. I failed to see the point of this book

Crying I was laughing so hard...even in the intro.Exactly the book you want if you want to be amused while sifting out the weird fetishtic stuff from things you can enjoy

This is a great update to the original encyclopedia which I have in Hardcopy. Lots of good links to further information...

While I was a little disappointed about the lack of pictures, like DVD cover art or some other kind of visual representation of the anime in question, it is definitely very fun to flip through and realize just how much anime is out there.

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Product details

File Size: 12810 KB

Print Length: 208 pages

Publisher: Taunton Press (April 1, 1999)

Publication Date: April 1, 1999

Language: English

ASIN: B003UBTYYO

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Good basic knowledge of carpentry for beginners, well written and illustrated. Small description of basic tools needed and purpose and how/why things are done the way they are.

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PDF Download Story of O: Part II, Return to the ChateauBy PAULINE REAGE

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• Sales Rank: #4814828 in Books
• Published on: 1971
• Binding: Paperback

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Ebook Download The Swinger ManualBy JustAsk Julie

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Ebook Free Stopping Time: Paul Bley and the Transformation of JazzBy Bley Paul

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Paul Bley was barely into his twenties when he left Montreal for New York City, yet he had already played with Charlie Parker and subbed for Oscar Peterson at the Alberta Lounge. The piano prodigy had been leading his own bands in Montreal clubs since he was thirteen. Stopping Time is the story of a unique Canadian artist and his odyssey through the most turbulent years in modern jazz. Paul Bley was one of the subjects of Ron Mann's award-winning feature documentary "Imagine the Sound." Now in his sixties, Bley is touring more than ever, and recording with everyone from Kenny Wheeler to Charlie Haden. He lives with his wife, artist Carol Goss, and their family in upstate New York.

• Amazon Sales Rank: #600540 in eBooks
• Published on: 2014-02-21
• Released on: 2014-02-21
• Format: Kindle eBook

Review ...One could wish for more detail of Bley's charmed life, but even this much of a glimpse is indispensable. -- Cadence, Sept. 2000Mr. Bley has recently published a memoir in which he proves to be a perceptive jazz critic as well as an engaging storyteller. -- The New York Times - February 13, 2000Mr. Bley has recently published a memoir in which he proves to be a perceptive critic as well as an engaging storyteller. -- The New York Times, February 13, 2000This book is a little jewel: sparsely written and edited, it is beautifully packaged, exquisetly illustrared, equipped with an index and biblipgraphy, and has a thorough discography with over 100 references. It was produced and crafted with love ... In the same manner that jazz music transcends all borders, this book will be circulated off this island as far and as wide as Paul Bley tours. -- lWhat ties this sprawling story together is Bley's storytelling - anecdotal, humorous, opinionated and given to plain-spoken philosophical sidetrips into the nature of jazz... The photos, especially the Montreal-era ones, are a vivid complement to the text. -- The National Post, December 18, 1999

About the Author Paul Bley was one of the subjects of Ron Mann's award-winning feature documentary "Imagine the Sound." Now in his sixties, Bley is touring more than ever, and recording with everyone from Kenny Wheeler to Charlie Haden. He lives with his wife, artist Carol Goss, and their family in upstate New York. David Lee is a former editor of the jazz magazine Coda who also ran his own publishing house for several years. As a jazz musician himself he has played with Kenny Wheeler, Julius Hemphill, Roscoe Mitchell, and was a founding member of the Bill Smith Ensemble. He lives in Pender Harbour, BC.

Excerpt. © Reprinted by permission. All rights reserved. I was working with Pete Brown in Brooklyn on Friday, Saturday and Sunday, until midnight. Dick Garcia asked me if I'd come Saturday night and play with Bird in an armory up in Harlem beginning at one a.m. So I worked until 11:30 and then went up to play with Bird.

Bird was nowhere to be found at two a.m. We played the second set. At three a.m. exactly, Bird walked into the Armory, unpacked as if it was midnight, and of course no one said a thing, because sixteen bars into his first chart, it WAS midnight. Nobody remembered that he was late.

That was the kind of self-test that the great musicians gave themselves in that period. They always came very late to gigs. Other than the fact that they might have had trouble getting to the job on time, that was a test of their abilities: to play so well when they began that the audience forgot that they were two hours late. Just as several decades later, you could be allowed a hostile attitude abour youself and your work and everyone around you, provided that your great playing justified your attitude. But if your playing did not justify the attitude then you were dismissed as being a fake. In short, you have to be able to afford your attitude.

With Bird's concept, he would be playing a thirty-two bar tune and in the second eight, he would already be starting something that was going to get him into the bridge. Meanwhile, I was busy on bar three-and-a-half of the second eight, and in my conception of it, the bridge was a long way off.

That was a very inportant lesson to learn. You never play where you are. You play where you're going. Thinking ahead. Some could think ahead 16 bars, some could think ahead four choruses. Now I've gotten to the point where I can hear a whole solo in advance - not note for note, but structurally. I get an idea, facing a rhythm section or a particular instrument in a particular environment, of what can be done in what length of time.

In hearing Bird's ability to anticipate what was coming and always thinking ahead, I've tried to extend the idea to listening to three things before I start playing a phrase:

One: What was the last phrase that was played, and what was the last note of the last phrase that was played, and what should follow that?

Two: What music has been played throughout the history of jazz that has to be avoided, leaving me only what's left as material for the next phrase?

Three: Where would I like to get to by the time my playing is finished? All that in a split second during a pause in my phrasing.

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